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Originál

Ne timeas, Maria. Choir sheet music.

Překlad

Ne timeas, Maria. Sbor noty.

Originál

Ne timeas, Maria. No. 1 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964200. ISBN M-007-14351-0. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". After ascending D major arpeggios, the central word "Jesu" radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.

Překlad

Ne timeas, Maria. No. 1 from Three Marian Motets. Klidný Ko Matsushita. Pro SSAA sboru. Carus Contemporary. Současná sborová hudba. Advent, slavnosti Panny Marie, hymny na počest Panny Marie. Plný skóre. Text jazyka. Latina. 8 stran. Vydal Carus Verlag. CA.964200. ISBN M-007-14351-0. S textem jazyce. Latina. Advent, slavnosti Panny Marie, hymny na počest Panny Marie. Složení Matsushita navazuje na prvky gregoriánského antifony. Začíná v souzvuku gregoriánský chorál, jak bylo typické renesanční moteta, a začátek nových řádků textu jsou také odvozeny od gregoriánského materiálu. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". Po vzestupně D dur arpeggia, ústřední slovo "Jesu" vyzařuje do Fis dur, po opakování v kompasu oktávy na C, je klidnější, končí v míru s F dur akord, PPP.