Partitury $23.95

Originál

Ingratissima Clori. Piano and Keyboard sheet music. Soprano Voice sheet music.

Překlad

Ingratissima Clori. Klavír a klávesnice noty. Soprán noty.

Originál

Ingratissima Clori composed by Benedetto Vinaccesi. Edited by Michael Talbot. For Soprano voice and basso continuo. Full score and parts. 92x8. pages. Duration 7 minutes. Published by Edition HH Music Publishers. HH.HH105-FSP. ISBN 1-904229-63-8. IThe text for Ingratissima Clori does not appear in Ottoboni's Trattenimenti poetici, and its authorship is therefore uncertain. However, it exhibits one of Ottoboni's most consistent stylistic 'trademarks' - the use of end-rhyme throughout the recitative stanzas. , not merely in a final couplet. - and the worldly- wise view of romantic love expressed in it. amounting to. if one love-object is unresponsive to you, seek another. is very much in his vein. It should be considered a candidate for his authorship. The text comprises two arias, each introduced by a short recitative. This is the 'RARA' layout that dominated the cantata around 1700, before becoming displaced from favour in its turn by the even more condensed 'ARA' layout.

Překlad

Ingratissima Clori composed by Benedetto Vinaccesi. Editoval Michael Talbot. Pro soprán a basso continuo. Kompletní partitura a hlasy. 92x8. stránky. Délka 7 minut. Vydal Edition HH Music Publishers. HH.HH105-FSP. ISBN 1-904229-63-8. IThe text for Ingratissima Clori does not appear in Ottoboni's Trattenimenti poetici, and its authorship is therefore uncertain. However, it exhibits one of Ottoboni's most consistent stylistic 'trademarks' - the use of end-rhyme throughout the recitative stanzas. , A to nejen ve finálním dvojverší. - and the worldly- wise view of romantic love expressed in it. amounting to. if one love-object is unresponsive to you, seek another. is very much in his vein. It should be considered a candidate for his authorship. The text comprises two arias, each introduced by a short recitative. This is the 'RARA' layout that dominated the cantata around 1700, before becoming displaced from favour in its turn by the even more condensed 'ARA' layout.