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Originál

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Překlad

Awatovi. Fagot noty. Klarinet Solo noty.

Originál

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Překlad

Awatovi složil Daniel Baldwin. Pro klarinet, fagot. Level 5. Vydal Představte Audio Profil. IG.CMS126. Zřícenina Awatovi, který se nachází v Arizoně, byl kdysi vzkvétající obec Hopi, v existenci pro více než 450 let, než přišel jejich první návštěvy v roce 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, více než 150 let, si užil docela klidné soužití s ​​Španěly později, ale 1700, konečně přišel na střet mezi tradicionalisty Hopi a převedeny katolíky. Výsledkem bylo, že tradicionalisté zmasakrovali konvertity a pak zničil vesnici. Symbolicky, pád obce znamenala konec španělské zasahování do života Hopi. Otevření linky do fagot představuje smíšené úmysly těch prvních badatelů vedených Coronado, a je zamýšlel zprostředkovat obě španělské a indiánské hlasy. To je také vize budoucnosti přijít, strašení předzvěstí krásných ještě holé ruiny přijít. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Zatímco průzkum Coronadův nebylo bez konfliktu, jsem se rozhodl zaměřit se na klidné povaze jeho poslání. K dispozici jsou dvě sekce zde. oba jsou španělština, ochucené, ale první je reprezentativní průzkum, zatímco druhá část je určena navrhnout táboráku píseň odráží to, co cesta může být jako v noci, když odpočívali, povídali a zpívali písně. To vede do pohybu dvou. Kiva. The Kiva murals were discovered in theAwatovi ruins. Jsou to obrazy představující Hopi domorodé rituály a obřady. I have used the style of NativeAmerican flute music to portray this. Dále je polnice volání, nebo El Degüello, zastoupené a hrál na fagot. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Hudba posouvá reprezentovat skutečný útok, který je zobrazen velmi disharmonický a dramatické přechodného průchodu. Konečně, Kiva kruhy zpět na úvodní materiálu v jiném klíči, symbolické posunu v percepci od španělské conquistador, na Hopi potomek. Awatovi byla napsána na popud můj dobrý přítel Ric Jones, a byl podporován Richard Rameyem a konsorciem hoboj a fagot hráčů. Díky vám všem za vaši vizi a podporu tohoto projektu. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarinet, fagot a klavír verze měla premiéru v roce 2012 IDRS konferenci v Miami University of Ohio Robert a Mary Nan Jordánu 09.07.2012.